A to Z Index

5          Cultural and historical development of Bath

5.1       The very existence of Bath's Hot Springs gives Bath its raison d’etre. The hot mineral springs have had a profound influence on the continually evolving development and culture of Bath.

5.2       Pre Roman

 

The pre-historic landscape around Bath was intensively used. The surrounding downs have provided evidence of human activity in the form of Neolithic and Early Bronze Age flint implements suggesting settlements, and Bronze Age tumuli can still be seen at Lansdown, Charmy Down and Bathampton Down.  The sixth to second centuries BC saw the construction of Little Solsbury hillfort which still dominates the modern skyline.  In addition to hilltop defended sites, there would also have been a large number of farmsteads on the more fertile lowland slopes. Sion Hill and Barrow Mead are the few examples recorded within Bath.

 

However, nowhere within the walled city area has any trace of pre-Roman occupation been found. This may be explained either by the fact that the area would have been an inhospitable marshland of thick, black mud, or perhaps a sacred location surrounding the springs. Either way, this was to change with the arrival of the Romans.

 

5.3       Roman

5.3.1   The Roman invasion of Britain in AD 43 brought knowledge and technology.  Stone quarrying, the use of lime, pozzolana, brick, tile and mass concrete were all introduced. The Romans provided a completely new infrastructure of roads, settlements, public buildings and temples. The Roman bath houses enclosed Bath's Hot Springs and included a sophisticated water and drainage system. Outside the walled town workshops (at Walcot Street), villas, farmsteads and burial sites abounded. The influence of Roman roads can be seen in the orientation of present day roads, including Brougham Hayes which crossed the River Avon to meet Julian Road. 3 By the fourth century the Roman town was generally abandoned although Walcot Street, on higher ground, remained in use through the fifth century. Abandoned, the baths and temple fell into decay. The eighth century Saxon poem ‘The Ruin’ describes the remains:

5.3.2      “Wondrous is this masonry, shattered by the Fates.

The fortifications have given way,

the buildings raised by giants are crumbling….

There stood courts of stone.

and a stream gushed forth in rippling floods of hot water.

The wall enfolded within its bright bosom

the whole place which contained the hot flood of the baths.”

 

5.4       Mediaeval

5.4.1   The Saxon reconstruction of the city took place in the late ninth century. A new street pattern, a narrow grid, was superimposed on the Roman town. The High Street market place was its civic hub with a great Abbey as its religious heart, adjacent to the surviving King's Bath over the principal Hot Spring.

5.4.2   Mediaeval Bath was controlled by church, city and charity. The influence of the church was profound. The Abbey and its estates dominated the city and its surroundings. Edgar was crowned king of all England in the Abbey in 972. The Abbey controlled the baths.

5.4.3   The multitude of ecclesiastical parishes led to the secular parish system with their geographic administrative boundaries. The city walls and gates were rebuilt, the majority of the houses were timber framed, thatched roof dwellings with only the Abbey and principal buildings built in stone. Bridewell and Bilberry Lanes are examples of the remaining mediaeval street pattern. The mediaeval villages of Bathwick, Twerton, Weston and Widcombe and the hamlets of Walcot and Lyncombe were later incorporated into Bath.

5.4.4   Early development up to and including mediaeval times generally took place on lower land (below 50 metres above sea level), avoided steeper slopes and took advantage of cold water springs and streams as a source of fresh water. Development generally avoided the flood plain; development close to the river was located on gravel terraces rather than less stable silty alluvium.

5.5       Georgian

5.5.1   Royal patronage of the spa led to an increase in Bath's popularity as a place of resort, resulting in the development of lodgings, significant spa and public buildings as well as later pleasure gardens, such as Sydney Gardens and the former Vauxhall Gardens.

5.5.2    “In the Progress of these Improvements Thatch’d Coverings were exchang’d to such as were Tiled; low and obscure Lights were turn’d into elegant Sash-Windows; the Houses were rais’d to five and more Stories in Height; and every one was lavish in Ornaments to adorn the Outsides of them, even to Profuseness: So that only Order and Proportion was wanted to make BATH, sixteen years ago, vie with the famous City of Vicenza, in Italy, when in the highest Pitch of Glory, by the excellent Art of the celebrated Andrea Palladio….”

John Wood (1704-1754) Essay 1742-3

5.5.3   Bath's role as a place of fashionable resort was paramount in the Georgian era. Bath was the place to see and to be seen. Parading was the new fashion. The built expression of this was in the broad pavements of the North and South Parades, Terrace Walk, Gravel Walk and Milsom Street.

5.5.4    “The New Terrace Walk (Gravel Walk) behind the Circus is one of the best and most pleasant walks in this kingdom…”

Bath Chronicle, 6 August 1789

5.5.5   The Georgian city was built using Oolitic Limestone (commonly known as Bath stone) from the quarries of Ralph Allen at Combe Down.

5.5.6   Early C18 developments ring the core of the mediaeval city; John Wood’s North and South Parades and Queen’s Square are two notable examples. By mid C18 the development of nearby hillsides began. Wood’s 1754-1767 Circus is the pre-eminent example.

5.5.7   The construction of Pulteney Bridge between 1796-1774 opened up the Bathwick estate for development. Grand plans were drawn up for this area but the 1793 war with France led to a rise in interest rates which caused the Bath bank crash and much of this area was left unfinished.

5.5.8   The demand for accommodation led to speculative building. Successful speculative development dominated the development of Bath throughout the C18 and C19 and relied on the creation of a socially desirable built form that had the flexibility to respond to individual requirements. Bath’s C18 architects, craftsmen and developers excelled at providing this.  By acquiring tracts of land, designing an overall guiding set of plans and then sub-leasing individual plots to others, they minimised their own financial risk and controlled the overall design of principal elevations, roadways and pavements while enabling the final lessee to create their own building interior.

5.5.9   This period saw the importance of the architect in designing and setting out buildings particularly where more modern or prestigious buildings were required. Other buildings were the responsibility of master craftsmen who followed the designs of fashionable building styles. These buildings were speculative in nature and followed classical principles of proportion and symmetry. The building style gave rise to a co-ordinated appearance with variation of detailing providing interest. The imposition of order was fundamental to the design and construction of Georgian buildings. Architects and patrons studied the ruins of ancient classical sites in Italy and Greece. The publication of their measured studies led in turn to a rash of builders' pattern books. Together these forged an understanding of classical architecture; the preferred architectural language of C18 Britain. This coincided with the introduction of building legislation stemming from the impact of the 1666 Great Fire of London.

5.5.10 This new legislation had a direct and wide-ranging impact on the design of new buildings. Many aspects of buildings were subject to new controls including a series of 'rates' for buildings. These established an ordered relationship between the spacing of party walls, the width of streets, floor to ceiling heights, the height of the principal floor above ground level, the recessing of window frames behind the face of a façade and the protection of roofs behind parapets. These and other controls, coupled with the introduction of classicism through architects' and surveyors' designs as well as  builders' pattern books, had a profound effect on emerging new buildings, streets, squares and the spaces between them.

5.5.11 The impact of the concept of the Picturesque 4 in the late C18 led building occupants to seek a closer relationship to the landscape. The form of the terrace and crescent now followed the contours of Bath’s undulating topography in a far more fluent way. The ensemble of Lansdown Place East, Lansdown Crescent, Lansdown Place West and Somerset Place is the pre-eminent example of the response of built form to landscape and views.

5.5.12 The development of the villa in the late C18 and early C19 continued for the wealthy through the C19 and into the beginning of the C20.

5.6       Victorian

5.6.1   The C19 saw the introduction of new transport technologies; the Kennet and Avon Canal at the beginning of the century, the Great Western Railway mid century and the Bath tram system at the latter part of the century. The tram system provided mass transport which enabled new developments on the fringes of the city.

5.6.2   Modest scale terraces formed the housing for the great growth in Bath’s working population as the impact of the Industrial Revolution and the Enclosure Acts led to a migration of the population to England’s cities. Bath was no exception and the development of industry along the River Avon was matched by an explosion of two storey terrace housing engulfing the river valley sides. Oldfield Park and former villages such as Twerton are examples. Larger properties set within large gardens were also built during this period.

5.6.3   C19 society's anxieties about public health issues led to new initiatives in sanitation, public parks and cemeteries. In Bath the Royal Victoria Park and the Abbey Cemetery were among the earliest national responses to these concerns.

5.6.4   Municipal corporations were created by new legislation. The exuberance and optimism of Victorian society and the recently established City Corporation led to the further discovery and redisplay of the Roman Baths and the building of the Concert Room, Guildhall extensions and the Victoria Art Gallery.

5.6.5   Three events; an 1898 plaque scheme, the 1904 campaign to save the north side of Bath Street and the 1909 Historical Pageant, led to a reawakening of an interest in the significance of Bath's history and development and a new concern for its future care.

5.7       Twentieth Century and Present Day

5.7.1   The inter war years saw the revival of the spa, the revitalisation of the Mineral Water Hospital and the restoration of the Assembly Rooms. The early C20 growth of the ownership and use of motor vehicles led to new pressures on the city's streets and public spaces. The introduction of traffic signs and markings was not enough to keep traffic flowing. Historic buildings at key road junctions were demolished and rebuilt to take account of new street patterns, examples of such junctions are Westgate Street, Kingsmead Street and Kingsmead Square and Monmouth Street.

5.7.2   The 1930s development of Kingsmead flats on a former Corporation stone yard was the first steel framed building in Bath. The 1923-7 Post Office, New Bond Street by the Office of Works shows an informed understanding of classicism.  

“A distinguished and competent Neo-Georgian design produced at a time when classicism still formed the basis of an architect’s education.”

Michael Forsyth

Housing developments at this time included areas of Bailbrook; Rosehill, Larkhall; Villa Fields, Bathwick; Dolemeads, Widcombe; Wellsway; Odd Down; Moorlands; The Oval; Southdown; Stirtingale; Whiteway; Innox Road; Avon Park; Rudmore Park and Yomede Park.

5.7.3   The evacuation of the Admiralty to Bath in 1939 led to it to becoming Bath's largest employer. 5

5.7.4   The 1942 bombing of Bath was a watershed in the city's history. The two nights of Baedeker raids led to the death of over 400 people and the damage or destruction of 19,000 buildings of which 1,100 buildings were seriously damaged or destroyed. Repair and reconstruction were swift.

5.7.5    “The beauty [Bath] was not awakened by a kiss from a city father; Hitler "blitzed" her back into life and vitality, and it may be that the shock of the air raids jolted Bath into a new determination and confidence to succeed.”

Horace Annesley Vachell

5.7.6   Patrick Abercrombie's 1945 ‘A Plan for Bath’ gave the city and its environs a new outlook on planning that reviewed air raid damage, urgent housing problems and traffic issues. Providing new housing alone was not enough. The Plan envisaged Bath being divided into a series of neighbourhoods each provided with its community centre, shopping areas, churches, schools, parks and playing fields.

5.7.7   Much of Bath's postwar housing and communities are a direct result of this initiative. Populations in existing local communities both within Bath and in its environs were to increase greatly through the provision of new housing. The Plan led to the 1950s incorporation of the villages of Combe Down, Twerton and Weston into an expanded Bath with the consequent development of significant areas of new housing, much of it prefabricated.  Building materials were still subject to strict postwar rationing and control, even the number of prefabricated housing was limited and subject to carefully scrutinised allocation nationally. The Moorlands estate was the first new housing scheme to be built after the war. Work began in August 1946. The last house was opened on its completion in February 1949 by Aneurin Bevan.

5.7.8    “As the years go by estates like this will spring up all over the country, and when I come across local authorities that are not paying enough sufficient regard to the design of their houses and the use of materials, I will tell them to visit Bath and see a good example of what they should do.”

Aneurin Bevan

5.7.9   The postwar review of the city's C18 and C19 housing against C20 housing standards led to the wholesale clearance and redevelopment of large areas of the city.  Snow Hill (1954-1961), Calton Gardens (1969-1970), Margaret’s Hill and Ballance Street (1969-1973) are key examples.

5.7.10 The creation of the Bath Festival in the 1940s and the University of Bath in the 1960s were further spurs to Bath's cultural and economic revival.

5.7.11 The conservation programmes of the 1970s and 1980s marked a turning point in the care and reuse of the city’s buildings and open spaces.

5.7.12 The intercity rail link to London and new technologies enabling people to work from home have led to a buoyancy in Bath's housing market. These factors, coupled with the growth of Bath's hospitals and universities as well as the influx of new businesses into the city and its environs, have increased housing demand.

5.7.13 Changing technologies, business takeovers and consequent financial pressures led to the loss of traditional key industries leaving large tracts of brownfield land as yet undeveloped. The twentieth century development of architecture led to a concern for the care, well-being and future use of historic buildings and areas as well as a plethora of new building technologies influencing the development of both architecture and new building types.

5.7.14 Current government planning policy guidance emphasises the redevelopment of brownfield sites, higher housing densities and the need for significant amounts of new housing as well as affordable homes. Housing provision, once primarily the concern of central and local government, has now also become the domain of private finance and social housing providers.

5.7.15 In1987 the city of Bath was inscribed on UNESCO’s List of World Heritage Sites, recognising it as a place of international cultural significance.  Bath’s World Heritage status is based on the city’s Roman remains; the C18 city, including architecture and urban design; the surrounding landscape and its relationship with the development and design of the city and the city’s social history.  At the heart of Bath’s significance are the Hot Springs, which have been the driving force behind the creation and growth of the city since the Romans first discovered them in the first century AD.  The City of Bath World Heritage Site Management Plan 2003-9 gives a full explanation of Bath’s significance as a World Heritage Site and sets out what the status means for the city.

 

5.8       Conclusion

5.8.1 This wealth of history reflects Bath's significance as a place of resort and is a key to understanding the character of Bath.